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The standard lighting set up is for lights at 45° to the specimen.
It can be varied using a light box with coloured gels in place of coloured
card. Most papers will show one of two set ups with the specimen on glass
above a sheet of coloured card as below:
Or the specimen on a light box (Vetter VP 1983) as below:
It is possible to vary the colour contrast
or shades of grey of a light box using polarizing
filters (Marshall RJ 1957). By having a sheet
of polarizing filter on the lightbox then
rotating the analyzer at the camera it is
possible to change the tonal range of the background
independently of the specimen.
Tip
- If you don't want to see your face, the camera and cable release on
your photographs you need to use a sheet of black paper, with a hole
cut
out for the lens, to avoid reflections in the glass.
Filters for lightboxes
Don't forget older lightboxes will not contain
daylight fluorescent tubes the Kodak guide
below gives starting guide for colour and exposure
correction.
Suggested starting filters and exposure increases for
test series with fluorescent light (Kodak Professional Data Guide
1978)
|
Type of fluorescent lamp |
Ektachrome Daylight |
Kodachrome 25 and 64 |
Ektachrome Tungsten |
|
Daylight |
40M + 30Y
1 stop |
50M + 30Y
1 stop |
85B + 30M + 10Y
1 stop |
|
White |
20C + 30M
1 stop |
20C + 30M
1 stop |
40M + 40Y
1 stop |
|
Warm white |
40C + 40M11/3 stop |
30C + 30M
11/3 stop |
30M+20Y
1 stop |
|
Warm white deluxe |
60C + 30M
12/3 stop |
60C + 30M
2 stops |
10Y
2/3 stop |
|
Cool white |
30M
2/3 stop |
40M
2/3 stop |
50M + 60Y
11/3 stop |
|
Cool white deluxe |
30C + 20M
1 stop |
30C + 20M
1 stop |
10M + 30Y
2/3 stop |
From Kodak Professional Data Guide 1978
Superimposition or double exposure techniques
It is possible to use two exposures to record a specimen and X-ray
or diagram (Gibberd GF 1954). The light box can be used to transilluminate
the X-ray to ensure accuracy of positioning. The lighting should be carefully
balanced for each exposure. Obviously this can also be accomplished
using
digital imaging techniques and PhotoShop layers as was used for the image below.

Mounted museum specimens
- These are difficult to light due to refraction problems.
- Do you show the container or not?
- Good to use a light box so don't see the container then light the
specimen separately.
- It is more difficult to photograph when showing the container as the
perspex gives rise to scintillation.
- All cut ends of glass or perspex will look bright as light escapes
with the scintillation.
- Using black card behind the specimen prevents this effect being seen
on the background.
- Scratches can be eliminated by applying
an oil of high refractive index, i.e. as
used for oil immersion microscope objectives.
Including or excluding the container
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Museum specimen including container.
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Same specimen but with the mount eliminated during
photography. |
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