One of the fascinations of photography as an art or a science is that it enables us to see more than the eye can see.
"The sensitive photographic film is the true retina of the scientist .
. . for it possesses all the properties which science could want: it
faithfully preserves the images which deposit themselves upon it, and
reproduces and multiplies them indefinitely on request; in the
radiative spectrum (electromagnetic spectrum) it covers a range more
than double that which the eye can perceive and soon perhaps will cover
it all: finally it takes advantage of that admirable property which
allows the accumulation of events, and whereas our retina erases all
impressions more than a tenth of a second old, the photographic retina
preserves them and accumulates them over a practically limitless time"
PJC Janssen 1888

Ultraviolet fluorescence of tonic water, due to quinine, seen with a long exposure as it is poured into a wine glass.
This is in many ways a forgotten specialisation with the rampant
quest for the 'artistic' losing the acquisition of an image by digital
or traditional means purely as a way of recording what we see at a
point, or extended or shortened point, in time or indeed what we cannot
see using the eye alone.
Pierre Jules César Jannsen (1824 -1907) the French Astronomer explained it as follows;
"The
photographic plate is the scientist's retina, but a retina far superior
to that of the human eye for, on the one hand, it records the
phenomenon perceived and, on the other, in certain cases, it catches
more than the eye can see."
Photography can
and should be used purely as a means of recording what we can see. What
we cannot know is whether after it has been captured that image may
become more significant like the images taken of the Ernst Stromer's
collection of dinosaur bones which were destroyed during the bombing of
Munich in the Second World War or the images of the skull of Peking Man.
Photographic
recording is a part of a standard methodology in many sciences from
medicine to archaeology, geography to forensics. Yet it is not just a
matter of recording what we see but thinking about what we are seeing
and how best to record it or reveal what we have perceived as it was
recorded on a Brunswick Thaler (Type of coin) in 1589
“Of what use are lens and light
To those who lack in mind and sight?”
That
many images can be viewed as 'works of art' doesn't detract from their
original purpose to inform or visually communicate in support of
science.
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